Utah Theater Fined For Serving Beer While Showing The Hangover Part II

A Salt Lake City movie theater is in trouble with Utah's state liquor board after serving alcohol during a screening of The Hangover Part II.our editor recommends'The Hangover Part II' - What Critics Say'Hangover Part II' Trailer Hits Web (Video) Brewvies Cinema Pub regularly serves beer during movies, but because of the female, male and transvestite nudity in The Hangover Part II, it falls under the same laws that regulate strip clubs, the Associated Press reports. Current state laws prohibit the sale of alcohol in clubs that feature fully nude dancing. PHOTOS: 'The Hangover' Stars Before They Were Famous The board also took offense to a scene of a monkey simulating a sex act. The theater will have to pay a fine of more than $1600, but the director of the Department of Alcoholic Beverage Control Francine Giani says she will recommend the fines be lowered for future transgressions. Related Topics The Hangover Part II

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Real Steel

Hugh Jackman backs just a little robot that may in Disneys Real Steel. A Wally Disney Galleries Movies discharge of a DreamWorks Pictures and Reliance Entertainment presentation of the 21 Laps/Montford Murphy production. Created by Don Murphy, Susan Montford, Shawn Levy. Executive producers, Jack Rapke, Robert Zemekis, Steve Starkey, Steven Spielberg, Josh McLaglen, Mary McLaglen. Co-producers, Ron Benattar, Eric Hedayat. Directed by Shawn Levy. Script, John Gatins story, Serta Gilroy, Jeremy Leven, based simply around the short story "Steel" by Richard Matheson.Charlie Kenton - Hugh Jackman Max Kenton - Dakota Goyo Bailey Tallet - Evangeline Lilly Finn - Anthony Mackie Ough - Kevin Durand Deborah Barnes - Hope Davis Marvin Barnes - James Rebhorn Tak Mashido - Karl Yune Russian Robot Owner - Olga FondaThough occur the next where boxing has become so intense only high-tech robots have what must be done to compete, "Real Steel" still trusts a great, old-fashioned father-boy drama to provide the thrills. Such as the high-fructose-laced soda given front-and-center product positioning, this underdog sports story is nice and corny -- however in the perfect measure to fulfill the public, especially 10-year-old boys and Dale earnhardt jr . fathers who never lost touch using their inner-child. A powerful eleventh-hour marketing push can buy the outlet, giving Hugh Jackman his greatest non-"X-Males" hit since "Van Helsing," while putting junior co-star Dakota Goyo around the power grid. Goyo plays 11-year-old Max, a Dr. Pepper-chugging, videogame-obsessed urchin who turns up in the breaking reason for the career of onetime heavyweight contender Charlie Kenton (Jackman). While Jackman is clearly the larger star, "Real Steel" so deeply identifies with Max's perspective, there might be no question the pic was designed to attract more youthful auds. Although online responses have mistaken "Real Steel" like a live-action version from the Rock'em Sock'em Robots game, pic's actual inspiration was Richard Matheson's hardscrabble short story "Steel," formerly modified being an episode of "The Twilight Zone." Adding the little one character is among many departures within an approach that borrows the robot-boxing concept but very little else from the pulp source material. In line with director Shawn Levy's "Evening in the Museum" series, "Real Steel" exploits the strain from a deadbeat father and the estranged boy, serving up some serious wish fulfillment in order to reconciliation between your decades. John Gatins' script (with story credit likely to Serta Gilroy and Jeremy Leven) is nearly cruel in the presentation from the problematic father figure: Jackman plays an alarmingly selfish disadvantage guy who owes his creditors nearly $100,000 and who sells custody of the children of his boy for the similar sum. After Charlie sees his last robot reduced to scrap metal throughout a rodeo run-along with a bull, the empty-handed opportunist turns up in the court to sign away Max to his aunt (Hope Davis) and her filthy-wealthy husband (James Rebhorn). Because the kid's parents-to-be possess a fancy trip planned, Charlie unwillingly concurs to consider proper care of Max for any month approximately -- sufficient time for something new of heart to happen. Just like a 21st-century Bogart (with substantially better physique and teeth), Jackman has mastered the skill of affable surliness. Goyo holds their own from the star, though Levy uses the adorable youthful guy more for oral cavity-pinching appeal than to produce a well-rounded character. While widescreen lensing enables for additional visual audacity than his previous features, TV-trained Levy loves closeups -- a tactic that plays better on homevideo than Imax screens -- and Goyo's the type of dewy-eyed child actor on whom he is able to depend for emotional cutaways. In fact, "Real Steel's" most endearing character is not human whatsoever, but an obsolete second-generation robot named Atom. With neon-blue eyes glowing behind what appears like a mesh fencing mask, Atom seems to become more alive compared to gleaming, cutting-edge alternatives he faces within the ring. "Don't be concerned, your secret's safe beside me,Inch Max informs him, though pic leaves it alluringly open-ended what that "secret" may be -- just like it enables for the chance that Charlie might not be Max's actual father. Much less ambiguous may be the example between Atom's roots (after Father destroys two costly fighting bots, Max digs the battered android from the dirt inside a harmful landfill raid) and also the scrappy status of his two trainers. Charlie has basically thrown away his youthful charge, and he isn't not even close to being thrown from the small-time circuit themself. Still, something relating to this robot -- who requires a beating but will not stay lower -- inspires these phones challenge probably the most advanced robot on the planet Robot Boxing League, an autonomous, constantly changing pile driver named Zeus. Such focus on character causes it to be clear to see why the storyline would interact with youthful auds. The uncanny factor about "Real Steel" is simply how gripping your dream moments are Sugar Ray Leonard offered like a consultant towards the motion-capture entertainers accountable for pantomiming the machines' moves. Atom is exclusive for the reason that he includes a "shadow mode," further anthropomorphizing the smoothness because the bot discovers to imitate the moves of their trainer. As future-set tales go, the pic does not alter much concerning the present. Rather, Levy remembers the18 wheeler-driving, can-do spirit from the heartland, adapting professional producer Steven Spielberg's all-American attitude to some more blue-collar crowd. Seamless visual effects and high-duty seem design complete the illusion of fast-moving fighting machines, while Danny Elfman's inspiring score leaves no heartstring unstrummed. Camera (color, widescreen), Mauro Fiore editor, Dean Zimmerman music, Danny Elfman music supervisor, Jennifer Hawks production designer, Tom Meyer supervisory art director, Seth Reed art company directors, Jason Baldwin Stewart, Shaun Wisniewski set decorator, Victor J. Zolfo costume designer, Marlene Stewart seem (Dolby Digital/SDDS/Datasat), Steve Cantamessa seem designers, Warren Hendriks, Craig Henighan supervisory seem editor, Henighan re-recording mixer, Paul Massey stunt coordinator, Garrett Warren animatronic supervisor, John Rosengrant live-action animatronic and robot effects, Legacy Forex effects supervisor, Joey DiGaetano visual effects supervisor, Erik Nash visual effects, Digital Domain, Cantina Creative Digital Neural Axis, Ockham's Razor connect producer, Ron Ames assistant director, Josh McLaglen casting, David Rubin, Richard Hicks. Examined at Company directors Guild of America, La, Sept. 22, 2011. MPAA Rating: PG-13. Running time: 126 MIN. Contact Peter Debruge at peter.debruge@variety.com

Dying of the Super hero

A Bavaria Film Intl. presentation of the Bavaria Pictures and Grand Pictures production in co-production with Picture Circle, Cinemendo/Trixter, CinePostproduction and Bavaria Film. (Worldwide sales: Bavaria Film Intl., Geiselgasteig, Germany.) Created by Astrid Kahmke, Philipp Kreuzer, Michael Garland. Executive producers, Matthias Esche, Jan S. Kaiser, Anthony McCarten, Paul Donovan. Co-producers, Mark Porsche, Michael Coldewey, Christian Sommer. Directed by Ian FitzGibbon. Script, Anthony McCarten, from his novel.With: Andy Serkis, Thomas Brodie-Sangster, Aisling Loftus, Michael McElhatton, Sharon Horgan. (British dialogue)Adolescence is frequently described ought to be existence and dying, but that is virtually the situation in helmer Ian FitzGibbon's coming-of-age-with-cancer romance "Dying of the Super hero." Pic sidesteps cloying sentimentality and high-handedness by using a good cast, brought by Thomas Brodie-Sangster like a budding graphic novelist whose days might be designated, but whose imagination fills the screen with macabre cartoons fueled by anger, frustration as well as an artistic soul. Mixture of live-action and animation could attract a youth audience, however the pic's general appeal will lie in the honesty and touching performances. Modified by film writer Andrew McCarten from their own novel, the film relocates the storyline from New Zealand to Dublin (because of the participation of Grand Pictures and also the Irish Film Board) and it has the benefits of the strong cast. Nevertheless its chief onscreen innovation is the actual way it shifts between toon and live-action figures, a daredevil trapeze act that keeps it from succumbing to mawkishness helping to draw attention away from from a normally fairly rudimentary narrative. Jesse (Brodie-Sangster), lank, pale and bald from chemo, imagines cartoon eruptions which include his muscular, mute alter ego in addition to his arch enemy, the Glove, a villain with syringes for fingers (his sexy, busty accomplice brings together a far more typical teenage fantasy). Brodie-Sangster includes a challenging role on his hands for the reason that Jesse isn't an item of pity he's funny and keeps things in perspective, except when his fuming anger will get the greater of him, compelling the misbehavior that keeps his parents (Michael McElhatton, Sharon Horgan) on tenterhooks. As fine as McElhatton and Horgan are, they are overshadowed by two standouts additionally to Brodie-Sangster. The first is Andy Serkis, who plays Dr. Adrian King, the unorthodox dying counselor, or thanatologist, to whom Donald's parents bring their boy with whom he forms a bond. Serkis is one thing of the thought, possibly because his best-known roles get him to disguised as something otherworldly or animalistic (Caesar within the recent "Rise from the Planet from the Apes," for example, or Gollum within the "The almighty from the Rings" trilogy), here is very human indeed. FitzGibbon's other natural resource may be the superb Aisling Loftus ("Oranges and Sunshine") as Shelly, a wry, acerbic teen who appears to become 16 happening 37 and provides Jesse just what he needs: grounds to feel attractive and alive to someone apart from his parents. Dying of the Super hero" does not sugarcoat anything -- neither cancer nor the awkward, uncomfortable ways people cope with it. It's far in the larger comedy from the current "50/50," there is however a kinship between both films within their tries to make cancer something apart from a plot point or perhaps an ominous dying sentence, and also to acknowledge that individuals ordinarily cope with incipient catastrophe through a mixture of disappointment and laughter, graveyard humor and tears. In this way, FitzGibbon ("Perrier's Bounty") has accomplished something a late scene, by which Donald's buddies (with Dr. King being an accomplice) request a prostitute to make sure that Jesse does not die a virgin, is handled well. A lot of the loan with this would go to Jessica Schwarz, playing one of the most sensitive hookers in recent cinema. Production values are great, even though music cues are from time to time absurd.Camera (color, HD), Tom Fahrmann editor, Tony Cranstoun production designer, Mark Geraghty music, Marius Ruhland costume designer, Kathy Strachan seem (Dolby Digital 5.1), Ray Mix, Frank Heidbrink seem designer/supervisory seem editor, Christoph von Schonburg re-recording mixer, Benjamin Rosenkind visual effects/animation supervisor, Alessandro Cioffi connect producers, Ailish McElmeel, Lukas Batthyany, Tilo Seiffert casting, Ros Hubbard, Louise Kiely, Siegfried Wagner. Examined at Toronto Film Festival (Special Presentations), Sept.13, 2011. Running time: 96 MIN. Contact the range newsroom at news@variety.com

Amy Winehouse's Father: She Died of the Seizure

Amy Winehouse's father Mitch Winehouse describes his daughter's dying about the premiere episode of Physical Violence Worsens's talk show, Anderson.our editor recommends'Today Show' Makes Amy Winehouse Gaffe (Video)Amy Winehouse 'Seemed Out From It' Previous Day Dying, Mother States When Cooper asks if drugs were the reason, Mitch states, "No, the toxicology report....to ensure that everyone knows, I've been banging on concerning the fact that they has not taken drugs in 3 years.Inch PHOTOS: Amy Winehouse Funeral Continues Mitch of his daughter, that has gone through rehab several occasions, "Everybody thought I had been in denial, I wasn't in denial, she hadn't taken drugs. She'd been clean for round around three years....Her problem was alcohol, the final couple of many years of her existence. You may argue, 'What's the main difference?' The main difference is the fact that what went down to Amy wasn't anything related to drugs. It may be that drugs required its toll in early years, but there have been no drugs in her own system...She was recommended Liprium, the industry normal drug, that is provided to those who are cleansing also it type of decreases the likelihood of getting seizures. She was ongoing to consider among individuals pill everyday." Alcohol, however, ended up being to blame, he states. PHOTOS: Hollywood's Notable Deaths "She'd a number of seizures triggered with this binge consuming after which preventing to drink....It's exactly what the physician stated, I believe she'd a seizure which was time when there is nobody there to save her," states Mitch. STORY: Amy Winehouse's Dying: What Hollywood Says Mitch states they're speaking to promote the Amy Winehouse foundation. "We're wishing to boost money, we'll raise money for disadvantaged children struggling with substance abuse, illl health." "I had been in New You are able to after i got this news that they died....the very first factor that arrived to my mind was Amy Winehouse Foundation. Children, horses that is what she loved...Children, horses music, everything she loved. I made the decision immediately that's the direction i was going," he continues. Fans have assisted the household grieve. PHOTOS: Amy Winehouse's Career in Pictures After hearing his daughter died, Mitch states he "went right to Amy's house. They wouldn't let's in because she was still being inside and that i went next door to speak with the fans, there have been 100 of fans, they simply selected us up...Within the most tragic of occasions it had been the prettiest experience which i think I've ever been on my existence." Added Amy's mother, Janis: "Whenever we walked away from home previously, people emerged in my experience plus they thanked me for getting Amy. This is when I understood, this really is another thing. To become thanked for having a baby to my child. That's wonderful." The premiere episode of Anderson airs Sept. 12 (check local entries). Related Subjects Physical Violence Worsens Amy Winehouse

Midmarket at Toronto: Slow, but still time

This year's Sundance and Cannes film fests may have both heated up quickly and aggressively on the acquisitions front. But Toronto, while brimming with product, has so far been on a slow simmer.One only has to walk through the Hyatt and pop into sellers' offices to notice that, despite being packed with industryites, the mood isn't a frantic one."Buyers are making sure they see everything before putting their eggs all in one basket," said one producer -- a tricky proposition, given that a lot of films are scheduled at similar times. But Sunday is too early to judge how hot Toronto will get -- even last year's sales avalanche didn't gain full steam till the fest was in its home stretch. President Obama's recent jobs speech reminding everyone about economic uncertainty and U.S. debt-ceiling politics didn't make bizzers any more confident."From a macro standpoint, I think everyone is scared and nervous about the lack of leadership in Washington -- not just from Obama, but Congress and everyone else," said Chris McGurk, CEO of digital cinema distrib Cinedigm and vet topper at MGM, Overture and Disney. "No one believes anyone has an answer, and that's affecting the attitudes of people I've talked to up here." (For the record, McGurk describes himself as an independent who voted for Obama, and his wife Jamie is an active Democratic fundraiser). There have been deals: CBS Films' bought domestic rights for Lasse Halstrom's comedy "Salmon Fishing in the Yemen," toplining Emily Blunt and Ewan McGregor, marking the fest's biggest deal at an estimated $4 million. Pic screened favorably on Saturday and was bought the next day, though even that turnaround time is tame compared to the late-night dealing of previous years."I see a few films here already that years ago someone would've snapped right up overnight," McGurk said. "People's attitudes about the lack of leadership in the economy is causing them to think two, three, four, five times before a deal is made."Millennium Films prexy Mark Gill, the WIP and Miramax vet who now produces wide release fare and advises his outfit's specialty distrib arm on pickups, hasn't seen the same level of alarm. "The absurdity of it is that we should be most focused on macro-economic news, because it's the rising tide that affects all of us. But I think almost everybody has already factored the mediocrity of the traditional Western economy for the next three to four years into their thinking," he said with a wry laugh. "Anything that goes better will be a pleasant surprise. ... I know there's a lot of bidding going on for a variety of things -- but it's not 2003 anymore."It's not even 2010, when TIFF sales were enhanced by an extraordinary set of factors: hunger for titles among newly launched distribs, a robust crop of films emerging after a post-strike drought, and open calendars among the studios that pared back buying after the economy took its 2008 dive.Those factors made a slight downturn nearly inevitable, but there's still plenty of commercial-friendly pics that could soon find good homes. Saturday night's offerings included "The Oranges," hockey comedy "Goon," Woody Harrelson starrer "Rampart," Sarah Polley's "Take this Waltz" and Matthew Goode starrer "Burning Man." "Friends with Kids," toplining Megan Fox and Kristen Wiig, is still up for grabs while Michael Winterbottom's "Trishna" has slew of offers from U.S. buyers on the table. Sony's "The Raid," from Welsh helmer Gareth Evans, has also been a buzzed-about title, while low-budget horror "You're Next" is likely to secure a deal before the end of the fest. John Flock, CEO of sales-financier W2 Media, stressed that negotiations in the indie financing world have become far more difficult in recent years. "It's much more of a serious business than it used to be," he told Variety. "You can't just run projects up the flagpole and announce that you're making them -- and then not make them."In particular, Flock said, buyers have become more educated as the business becomes increasingly complex amid the decline of revenues from DVD. Phase 4 Films CEO Berry Meyerowitz said the economy is making distribs focus more on whether a film will work across all platforms (theatrical, DVD, VOD, pay TV, etc) or if it should just be purchased for one or a few of them. "Everyone is sort of nervous about what the future will bear in this market -- what's going on with the banks, interest rates, jobs, etc.," Meyerowitz said. "But people who are in this game are trying to look past that. Buyers are genuinely are taking into account the trepidation in the market and the economy, but overall, they're aggressively negotiating for films, and we won't see a meaningful decline in purchases."David Reckziegel, prexy of eOne Films North American, said buyers' caution isn't surprising."Everybody came away from Cannes with quite full shopping bags -- with three or four movies," he said. "It's very rare that happens. So this year's Toronto could be more like Sundance a year ago."(Dave McNary contributed to this report.) Contact Diana Lodderhose at diana.lodderhose@variety.com

The Hangover 2 Full Movie

New Jack Goes Boating Trailer

Philip Seymour Hoffman hits the waterPhilip Seymour Hoffman has won at acting so having a crack at directing seems like a logical next step. Obviously Hoffman, a famously modest soul, would never put it quite like that, but he's quietly proud of his debut effort: wistful character study Jack Goes Boating. 'The Hoff', as absolutely no-one calls him, plays the titular Jack. He's a chaffeur by trade but, at heart, is just a lonely romantic who yearns more than anything for a soulmate (and the odd spliff). Presto, Amy Ryan's shy telemarketer, Connie, could be just the woman for the reggae-loving Jack. The movie, set in Hoffman's beloved New York, has a new trailer, which you can watch with your very own eyes below. Yes, those are dreadlocks. Kinda.... . But will it end in sunshine and flowers, or will their mutual friends Clyde (John Ortiz) and Lucy's (Daphne Rubin-Vega) fraying marriage drip poison into the water? {Jack Goes Boating poster}. If you've seen Bob Glaudini's stage play, you'll know the answer to that. If not, you can catch Jack Goes Boating when it moors on November 4.

CBS touches up agenda for fall

Getting attracted the greatest quantity of audiences in television for that eighth amount of time in nine years, CBS has again made the decision to consider only a couple of calculated risks to remain on top.High-ranked drama "The Great Wife" moves from Tuesday to Sunday. Vagabond comedy "Rules of Engagement" has moved to Saturday, the very first time in six years the network has broadcast an authentic program that evening.Three acclaimed stars have became a member of the fold. Charlie Sheen is finished (have you ever heard?), changed by Ashton Kutcher on "2 . 5 Males." Laurence Fishburne were built with a more friendly exit from "CSI," with Ted Danson now fitted for his lab coat. And Terry O'Quinn joins former "Lost" co-star Daniel Dae Kim for any recurring role on "Hawaii Five-.""We tend to check out the failure or success of certain shows for any single reason, when shows like 'Two . 5 Men' and 'CSI' are effective for a lot of reasons," CBS programming chief Nina Tassler states. "So when you are in a position to bring a brand new actor in, it's as an electrical charge that improves everything."Maintaining its run of stability, the attention will launch five new series, the littlest newcomer class associated with a network. Two shows happen to be given prime spots. One, "2 Broke Women," the brand new comedy professional created by Michael Patrick King and standup Whitney Cummings, lands at 8:30 p.m. Mondays, between "Generate An Income Met Your Mother" and also the retooled "Males."Crime-drama "Person of great interest,Inch that has pedigree producers J.J. Abrams and Jonathan Nolan aboard, will air at 9 p.m. Thursdays, with "CSI" moving to 10 p.m. Wednesdays. The "Person" pilot obtained high with test audiences."We have got really wise showrunners who understand how to balance that closed-finish episodic structure to playing out a mysterious with time," Tassler states from the show.When the amounts endure, the show may have that luxury of your time.LimelightInch2 Broke Women"If your network comedy from "Sex and also the City" creator King did not put CBS' standards and practices on high alert already, the behind-the-moments presence of edgy stand-up comedian Cummings should put everybody on notice."The good thing to do a show is for those who have sweet moments and harmful moments right alongside one another," King states. "Nevertheless, I've many, many pages of questions: 'Is this permitted?' I suppose we'll discover."The show spotlights King's female-relationship make of comedy with no shopping sprees. Two battling waitresses -Body a dethroned socialite (Janet Behrs), another a functional-class stiff (Kat Dennings) -- conserve to spread out a cupcake business.Another key departure for King -- fun track."To possess a noisy, fresh, honest sensibility before a studio audience creates a fascinating vibe," Cummings states. NEW FOR 2011-12"A Gifted Guy"Aims to get where now-silenced "Ghost Whisperer" left off within the 8 p.m. Friday slot, with Patrick Wilson playing a self-absorbed surgeon prodded through the spirit of his deceased ex-wife (Jennifer Ehle) to locate meaning in existence. Timeslot and creator Susannah Grant ("Erin Brockovich") might provide a ghost of the chance."How To become a Gentleman""Odd Couple" premise -- an etiquette writer (David Hornsby) reunites with rude dude friend (Kevin Dillon) from senior high school so he is able to learn traditions of contemporary guy-children -- sounds moldy, but presence of Hornsby, also aboard as creator, gives series some sunny (as with "It Certainly Is Sunny in Philadelphia") promise. "Person of great interestInchTassler promises this procedural, starring "Lost" alum Michael Emerson like a software billionaire who invents a course that forecasts details of individuals attached to violent crimes, will not venture off into some of that ABC show's patented tangents. "Every episode may have an answer and emotional satisfaction," Tassler states. But will that tidiness satisfy hardcore fans? "Memorable"Procedural in the "With no Trace" team stars Poppy Montgomery like a New You are able to detective that has an uncommon condition that enables her to consider everything -- except the particulars of her sister's murder. Will attempt to keep audiences within the 10 p.m. Tuesday timeslot formerly occupied by "The Great Wife." Contact the range newsroom at news@variety.com

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ArcLight Movie theaters Plants Flag In North Park

Theupscale theater chain today introduced intends to develop a 14-screen theater close to the Westfield UTC Retail Center inLa Jolla, to spread out late the coming year. It will likely be the very first expansion outdoors the L.A. area for ArcLight, the industry subsidiary of Off-shore Cinemas, because it released nine years back. It presently has venues in Hollywood, Sherman Trees, Pasadena and El Segundo.

Douglas to be feted at Santa Barbara

DouglasThe Santa Barbara International Film Festival is bestowing an honor upon Michael Douglas with a familiar, and familial, ring: the Kirk Douglas Award for Excellence in Film. The tribute from one generation to the next will be granted at the fest's 6th annual black-tie gala on Oct. 13. "The first time I saw Michael Douglas act was in a play at UC Santa Barbara, so it is fitting that a career that started here should be honored here," Kirk Douglas said in a statement issued by SBIFF. "To tell the truth, I wanted Michael to be a lawyer. I secretly hoped he would be bad so I could tell him to forget it. He wasn't." Kudo honors contributions in film and serves as a fundraiser for the 27th fest, which runs January 26 through February 5, 2012. Previous winners include John Travolta, Ed Harris, Quentin Tarantino and Harrison Ford. Contact the Variety newsroom at news@variety.com