Wednesday, July 10, 2013

'Pacific Rim' Cast Thanks Kanye West For His Rave Review

11 tháng bảy 2013 4:16 SA
        So Kanye West really enjoyed "Pacific Rim." Like a lot. He liked it so much that he tweeted about it twice and called Guillermo del Toro "a master."
When MTV News spoke with director Guillermo del Toro and the cast of "Pacific Rim," we asked how they felt when they heard about Yeezy's review.

Del Toro gushed, saying that any time anyone connects with his work, that is a special feeling. "Anytime anyone likes my work, that really, really is very emotional for me because an artist not exactly a socially able person," he said. "We are dysfunctional, socially. We work for what we create. I work for my monsters. I work for my robots. To see people connect with them emotionally is a blessing."

Sunday, June 30, 2013

When Hollywood Was Nice: Annette, Mother Dolores Honored This Week

In a summer where internal studio battles are exploding, talent agencies are attacking each other, gun violence is rampant in real life and on screen, football teams are spawning accused murderers, teen idols are out of control, and people don’t talk — they just text — it’s nice to reflect on this Sunday before Independence Day that there once was what, at least in retrospect, seemed to be a kinder, more innocent Hollywood. At least that was the feeling I got this week at two events celebrating two uniquely inspiring past stars, both very much off the radar of the industry that eats its young today. They are worth noting.
Many people today who worship the likes of the Kardashians may not know who Dolores Hart is. Or was. But in the late 1950s and early ’60s she was a genuine film star who gave Elvis Presley his first screen kiss in Loving You (1957) and again in King Creole (1958); searched for men in Where The Boys Are (1960); and co-starred opposite the likes of Montgomery Clift, Karl Malden, Anthony Quinn, Myrna Loy and many others until she suddenly gave it all up after attending the New York premiere of her last film (1963′s Come Fly With Me). She told the studio’s limo driver to drop her off at the Abbey of Regina Laudis in Bethlehem, CT, and became a nun. That was exactly 50 years ago, and Mother Dolores, as she is now known, is still there and still doing great things with her life — even if it isn’t as the movie star she once was.
Mother Delores, now 74, has been in Los Angeles all week, and a few days ago I attended a reception thrown in her honor upon the publication of her autobiography, The Ear Of The Heart. It is the latest project to put the spotlight back on a remarkable life and story. In 2012, the HBO documentary God Is The Bigger Elvis, which also detailed her unusual journey “from Hollywood to Holy Vows”, earned an Academy Award nomination for Best Documentary Short and brought Mother Dolores back to the Oscar red carpet for the first time since 1961. By the way, she is still a voting member of the actors branch of the Academy of Motion Picture Arts and Sciences. Sometimes she even wears a jacket with the AMPAS logo over her Habit — it was sent to her by one-time Academy president (and Come Fly With Me co-star) Karl Malden, who was also instrumental in re-instating her Academy membership in the early ’90s. The book is so compelling it could make a movie itself. Last week’s event, at which Mother Dolores and co-author Richard DeNeut read excerpts, drew some of her old Hollywood friends and co-stars like Tab Hunter and Earl Holliman, who both went on studio-set dates with her in the ’50s. Holliman told me they were getting very close to making out when she whispered in his ear, “Earl, I am in love with Jesus Christ”. He said there was not much he could do to match that kind of competition. Even then she seemed to know the path her life might take.

Tuesday, June 25, 2013

EMMYS: Branding

When Homeland took home the three biggest drama series honors at last year’s Emmy Awards—for top drama as well as lead actor (Damian Lewis) and actress (Claire Danes)—it proved a watershed moment for Showtime after a couple of decades spent laboring in the awards-night shadow of HBO. “It meant that we had a claim on excellence,” confirms David Nevins, Showtime’s president of entertainment. “I mean, it’s always nice to be invited to the party. And for one night, it’s also nice to be king.”
But what does being king really mean in the Emmy context? It’s a question that has often been asked and perhaps never definitively answered. In the eight months since the Homeland gold rush, Nevins says that Showtime’s subscriber base has continued to grow, and the network’s credibility with the Hollywood creative community continues to soar. The win also helped raise Homeland’s profile during its second season, with Nevins noting that its viewership rose 25% year over year and grew to become Showtime’s highest-rated series ever. “It’s made us a place to bring your best projects and best actors,” he finds. “It’s told the acting community that Showtime is where you can go to win awards and augment your career—even if you’re an established film actor.”
But in truth, the tangible impact of the Emmy triumphs is best measured over the long haul, Nevins believes. “It’s more of a slow-and-steady, building-of-the-brand thing rather than overnight,” he says. “We’re still hoping that the momentum halo from the wins spreads through the rest of our schedule.”
To a film or individual, the value of winning an Oscar, or even just earning an Oscar nomination, is generally undisputed. More often than not, it’s a career-maker that elevates one into rarefied air that typically translates into money at the box office and beyond. The value of an Emmy Award? Not quite so clear. It affixes a seal of quality onto a person or project, to be sure. But that doesn’t necessarily guarantee a bounce beyond Emmy Night itself.
Consider the case of Arrested Development, which returned May 26 with 15 brand new episodes on Netflix, but enjoyed a woefully short life on Fox in the decade before. It was the toast of the industry in winning five Emmys in 2004, including for outstanding comedy series. But the honors did little to boost the show’s ratings, and it was gone by 2006.

Wednesday, June 19, 2013

James Gandolfini Has Died

Farewell, Tony Soprano. James Gandolfini - the man who was utterly unforgettable as one of the great screen gangsters - has died suddenly, at the age of 51.Variety reports that Gandolfini was on holiday in Italy, where he suffered a suspected heart attack. The actor's tragic and untimely death was confirmed by HBO, for whom he worked on The Sopranos and Criminal Justice, a limited series that had just been given the green light.In a statement, the network said, "He was a special man, a great talent, but more importantly a gentle and loving person who treated everyone no matter their title or position with equal respect."He touched so many of us over the years with his humor, his warmth and his humility. "In another statement, his managers said, "Our hearts are shattered and we will miss him deeply. He and his family were part of our family for many years and we are all grieving."Gandolfini, who was born in New Jersey in 1961, will always be remembered as Tony Soprano, the ruthless and tortured mob boss who was head of the eponymous family at the heart of the legendary HBO series. His nuanced and complex turn turned him into a huge star, and Tony into a cult hero. He won three Emmy awards for the role.But Gandolfini was also a film actor of rare range and class, as equally at home as a politician, a soldier and a father as he was a gangster.He gave indelible - and vastly different - turns for Tony Scott (with whom he worked on a number of occasions) in True Romance, Armando Iannucci in In The Loop, and Spike Jonze in Where The Wild Things Are, to name but three. 2012 also brought small, but memorable, roles in the likes of Kathryn Bigelow's Zero Dark Thirty and Andrew Dominik's Killing Them Softly, and a reunion with Sopranos creator David Chase on Not Fade Away.Gandolfini was last seen on the big screen in The Incredible Burt Wonderstone, while he had just completed work on Animal Rescue, which will be his final film.He was seen, quite simply, as one of the best and most versatile actors working today, and his death has already been greeted with stunned disbelief by his peers. "A lovely man and a huge talent," said Donnie Darko director, Richard Kelly. Prometheus and Star Trek Into Darkness writer Damon Lindelof, echoing the last shot of the final episode of The Sopranos, said, "You created an icon. And you cut to black way too soon." And Ron Perlman said, "Sweet journey home, James Gandolfini. The brightest stars burn the fastest..."He is survived by his wife, Deborah Lin, and two children - a son, and a baby daughter. Our thoughts are with them at this time.

Thursday, June 13, 2013

No Crossover Between Guardians & Avengers

Avengers Assemble may have ended with Thanos leering at us, but that may be as far as the Avengers / Guardians of the Galaxy crossover is going to extend. Out doing the rounds for his classy new Much Ado About Nothing, Joss Whedon has let slip that, while Guardians and Avengers 2 will share a cinematic universe, they won't be sharing any screen time."We're following Guardians at Shepperton," says Whedon, meaning that he and his Avengers team are next into the studio after James Gunn's crew has departed. "But we won't be swapping cast members," he continues. "Every movie is its own thing, and has to be." The twain never shall meet, "unless I take a lot of peyote and write a very different draft... and I'm not ruling that out!"So while The Avengers will be inheriting a broader narrative recently vacated by the Guardians, it doesn't sound as if Michael Rooker, Zoe Saldana, John C. Reilly or any of the other Guardians will be hanging around to switch teams.Do Whedon's words preclude cameos and / or script adjustment further down the line? Not at all. But they do give a hint of the extent to which The Guardians Of The Galaxy will stand alone in the Marvel movie canon. We'll find out exactly where and how they fit when Gunn's film is released on August 1 next year.

Sunday, June 9, 2013

Christoph Waltz Uncovers True Crimes

The last time it popped up on our cine-radar, True Crimes was being mentioned as a possible directorial gig for Roman Polanski. He no longer seems to be involved, but the project at least has a star, with Django Unchained’s Christoph Waltz lining up a lead role in the real-life murder story.True Crimes is drawn from David Grann’s 2008 New Yorker article about the slaying of advertising company manager Dariusz Janiszewski, whose body washed up in Poland’s Oder River in December 2000. The crime baffled the authorities until detective Jacek Wroblewski tracked Janiszewski's missing cell phone to an eBay auction. The seller was Krystian Bala, a Polish intellectual whose sado-sexual novel Amok had been published after Janiszewski's death, and featured a plot that seemed eerily similar the real-life killing.Waltz is set to play Wroblewski, the man who reopened the cold case and dug deep into Poland’s dark underbelly of prostitution and drugs. With Polanski seemingly out of the picture, producers David Gerson, Brett Ratner and John Cheng are now on the hunt for someone to hoist the megaphone. As for the actor, he’s most recently worked on Terry Gilliam’s The Zero Theorem and will appear in The Muppets… Again! and Tim Burton’s true-life art world scandal drama Big Eyes.

Tuesday, June 4, 2013

New Red Band Trailer For The To Do List

Though Aubrey Plaza is definitely the star of Maggie Carey’s directorial debut The To Do List, Bill Hader – AKA Carey’s other half – is the MVP of this new Red Band trailer. Expect bad language and bad behaviour throughout, but also a lot of laughs. The To Do List focuses on Brandy (Plaza), who has gone through high school as a good student who focused on causes and grades over partying and boys.Yet as college looms on the horizon after the summer, she realizes, largely thanks to older sister Amber (Rachel Bilson) that she’s singularly unprepared for the wilder life of grown-up education. So she decides to tick off as many sexual acts as she can in one summer. There’s just one small problem: she has no idea about any of it.Plaza’s playing a more straight-ahead character than her usual scathing cynics here, but it’s Hader (and Bilson) who get to steal scenes, especially their energetic sex fest that is suddenly interrupted by Amber and Brandy’s father, Judge Clark (the ever-reliable Clark Gregg).Boasting a funny ensemble that also includes Alia Shawkat, Christopher Mintz-Plasse, Andy Samberg, Connie Britton and Donald Glover, The To Do List arrives in the US on July 26 and hits here on October 4.

Thursday, May 30, 2013

Doug Ellin On For Bad Santa 2

Despite talk of the film gearing back up last year when Hot Tub Time Machine’s Steve Pink seemed likely to hop on board for re-scripting and directing duties, it’s mostly been tumbleweeds on the Bad Santa 2 front. So we’re getting our pinches of salt ready for word that Entourage creator Doug Ellin is busy cranking out a new draft that he intends to call the shots for.Bad Santa, of course, found Billy Bob Thornton in foul-mouthed, lecherous, drunken form as a mangy, moral-free conman who posed as a department store Father Christmas to rob the shops. But then he had to go and befriend one troubled, weirdo kid and the whole thing began to unravel…Terry Zwigoff wrote the original, which also featured Tony Cox, Brett Kelly, Lauren Tom, Lauren Graham, John Ritter and Bernie Mac. And while John Requa and Glenn Ficarra were in the directors’ chairs, the sequel has gone through more than one name so far.Johnny Rosenthal worked on the most recent draft, which Ellin, according to Deadline, is already overhauling. The sticking point might be his schedule, as he’s putting the pieces together for the Entourage movie. Though, if we’re honest, we’d rather have more Bad Santa than the next chapter of Vince and the mooch mob. Thornton certainly seems ready for the next outing, clearing space in his schedule for an autumn shoot.

Thursday, May 23, 2013

Quicksilver in 'X-Men: Days of Future Past': Evan Peters Cast as Magneto's Son

Looks like Joss Whedon will be following Bryan Singer’s lead after all: Singer just announced that Quicksilver will appear in “X-Men: Days of Future Past.”

Whedon first teased the possibility of using twins Quicksilver and Scarlet Witch in his follow-up to “The Avengers” back in April, confirming the news earlier this month. At the time, there was some speculation that the duo could theoretically also pop up in “Days of Future Past,” since both Fox and Disney own the rights to the villains-turned-heroes. Now, Singer’s announcement on Twitter Thursday that Evan Peters (“Kick Ass”) has been cast to play the superfast Quicksilver has turned that probability into a certainty.

Quicksilver and Scarlet Witch are the children of “X-Men” villain Magneto, and first appear in the Marvel universe as antagonists before joining forces with the Avengers. Judging by their presence in “Days of Future Past,” Singer’s looking to focus on their early, evil days.

Not only will Singer be first in getting his version of the twins into multiplexes -- “Days” debuts July 14, 2014, while “The Avengers 2” isn’t due until May 1, 2015 -- but he’s also beaten Whedon to the punch in casting. While Peters is a lock for “Days,” there’s been no confirmation on who will play either of the twins in “Avengers 2,” aside from some recent reports that Whedon has based his characterization of Scarlet Witch on Irish actress Saoirse Ronan.

For her part, Ronan would be happy to join the “Avengers” team, telling The Mary Sue she would take the part if offered.

“I love Joss and I love those films, and I love his handle on them and how he portrayed these kinds of superheroes,” she said. “I think it’s very different from what anyone else has done. So yeah, I’d love to be in it.”

Saturday, January 26, 2013

Exclusive teaser poster for Danny Boyle's Trance

We had a feeling Danny Boyle's psychological thriller Trance was going to be the head scratcher of the year.And now we have the eye-bamboozling exclusive teaser poster to prove it.The all-star cast features James McAvoy as a fine art auctioneer whose dodgy extracurricular dealings go awry when he suffers amnesia mid-way through a heist.When Rosario Dawson enters the scene as a hypnotherapist intent on helping him recover his memory (and the painting), the lines between reality, desire and hypnotic suggestion blur to deadly effect.Throw in Vincent Cassel on prime scene-stealing form as the gangster on their tail, and you've got an intriguing drama that could be every bit Boyle's best.Trance hits UK cinemas from 27 March 2013.

Sunday, January 20, 2013

Chastain Rules, Schwarzenegger Drools As 'Mama,' 'Zero Dark Thirty' Rule Box Office

The box office has spoken! Jessica Chastain scored the top two weekend spots over Arnold Schwarzenegger (The Last Stand) and the double-whammy of Mark Wahlberg and Russell Crowe (Broken City) as the Guillermo del Toro-produced fantasy horror Mama scored a #1 debut with $28.1 million and Zero Dark Thirty stepped into second place. (Oscar rival Jennifer Lawrence didn't come out so bad herself as Silver Linings Playbook expanded to #3 in wide release the same weekend she tenderly slammed her fellow Best Actress contenders on Saturday Night Live.) More power to the ladies! But where, oh where, did Arnold land in his big action comeback?

Schwarzenegger's breezy actioner The Last Stand showed a surprising lack of muscle over the MLK holiday weekend, raking in just $6.7 million over three days and calling into question the potency of the ex-Governator's screen appeal as it shuffled into tenth place at the box office. Tenth place. Ouch. Broken City, Fox's Wahlberg-Crowe mano-a-mano crime pic, also debuted to rather limp returns, with a $9.5 million estimated weekend take (numbers via Deadline).
But if Arnie's box office cache was proven less brawny than expected, the Best Actress-nominated duo of Chastain and Lawrence reflected strong appeal for both Oscar contenders, both of whom notched Golden Globes wins last weekend. For Chastain's part, the genre gamble that is the feral child-ghost mother pic Mama could have thrown a wrench into her awards campaign but paid off; it currently sits at a better-than-most-horror-pics 62 percent rating at Rotten Tomatoes, but had some pundits wondering if Universal's timing of the film's release was part of a crafty plot to ruin the awards season momentum of her campaign for Sony's Zero Dark Thirty. But audiences came for a double dose of Chastain in two very different roles — one in a prestige pic that underscored Chastain's steely strength in a man's world (ZDT), the other a genre pic built around an emotionally distant character gradually embracing her latent maternal instincts (Mama).

Monday, January 14, 2013

Jodie Foster's Privacy Plea Ignores Hollywood Homophobia

Years ago, feminists rightly noted that the personal is political. That has never been more true than when it comes to the personal lives of gay people in America.
Accepting the Cecil B. DeMille award at last night's Golden Globes, Jodie Foster delivered a heartfelt and sincere comment on her long career in film. Equal parts sincere appreciation and fraternity levels of booze-intake, (so I assume, given how many bottles of champagne there appeared to be on the tables at the Beverly Hilton), it probably wasn't half as eloquent as much commentary has suggested, but what it lacked in structure it made up for with punch. Because tucked into the meandering statement was circumspect confirmation of what has for some time been an open secret, the fact that she is a lesbian.

[Related: 'Argo' & 'Les Misérables' Take Top Movie Prizes At Golden Globes AND Do The Tommy Lee Jones! 5 Top Golden Globe Moments]
Though she gave a moving tribute to Cydney Bernard, her former partner and co-parent to her children, Foster also observed her commitment to maintaining strict personal privacy, comparing the discussion of her private life to reality TV phenomenon Here Comes Honey Boo Boo, and declaring that she has no interest in making her life into a reality show. I don't intend to begrudge her demands for privacy - when you've been in the public eye since your toddling years, the desire to be left the hell alone when you aren't on the public figure clock is perfectly sensible.
But the unfortunate fact is that in seeking to put her sexual orientation into the context of that privacy, Foster somewhat misrepresented one of the more sullied and sad aspects of American popular and political culture. And that would be the hateful, and brutally enforced homophobia that forced generations of gay and lesbian actors so deep into the closet they shared a zip code with Mr. Tumnus, lest their lives and careers be ruined.
Frankly, the claim that all of it boils down to 'privacy' cannot be seen outside of that context, and it is disingenuous to attempt to do so.
We don't even need to dig deep for obscure examples that decimate any claim that enforcement of privacy isn't a side effect of bigoted societal outcomes. Prior to the 1970s, as the gay rights movement began to achieve small successes, and the American Psychiatric Association declassified homosexuality as a mental illness, Hollywood history was replete with gay and lesbian - but especially male gay - actors forced to do unspeakable psychological damage to themselves in the quest to protect their careers from hateful guardians of moral behavior. Rock Hudson is the most famous of those forced into bearded marriages, and of course Liberace famously sued a tabloid - and won! - to quash allegations that he was gay. But these men are hardly unique.
And even when the era of forced-bearded marriages came to an end, being openly gay could still hurt a career. Rupert Everett, just for one example, has famously complained that coming out of the closet as early as he did significantly set him back, and he bitterly advised against it in a 2009 interview. Notably, he was out in the early 80s, a time when it was more common for people like Morrissey and Stephen Fry to embrace celibacy rather than live openly gay, than it was for a public figure to be a known homosexual. Gay and lesbian actors thus still either offered up the pretense of heterosexuality (Rosie, for instance, feigning lust for Tom Cruise* on her talk show), or as was increasingly common going into the 1980s, erecting a wall of iron-clad privacy, a complete refusal to discuss one's private lives in any substantial way whatsoever. And of the latter group, Jodie Foster is perhaps the most famous of all.
We all know how rumors had followed her throughout her career - rumors, I feel compelled to make clear, were prurient and largely about turning her life into a scandal, as was generally the case with all rumors about a star's homosexuality. Through it all, at least until 2007, she had a strict policy of total silence on any aspect of her private life. That is her right, but consider that no heterosexual actor has ever felt the need to maintain such strict privacy that they refuse to even acknowledge they are in a relationship at all. There's a good reason for that: no heterosexual actor would ever face punishment or ostracization for admitting they're in a straight relationship with a person of the opposite sex.
We are fortunate to be living in an era when the sexual orientation of celebrities does not, for the most part, appear to be even remotely a big thing as in years past. White Collar star Matt Bomer's status as a TV sex symbol has not been affected one whit by his confirmation a year ago that he's gay, and just last week, actor Matt Dallas came out to barely any reaction beyond 'oh neat, you're engaged, congrats.' So much progress has been made, in fact, that even film maker Lana Wachowski's confirmation of her transgendered status didn't generate tawdry gossip (and thank the gods for that,) only support.
But the acceptance of GLBT people as ordinary is a very recent phenomenon. It was made possibly only by the tireless work of two generations of GLBT activists willing to stake their lives and careers on the notion that being who they are is as normal as being, like me, a straight male. Jodie Foster is indeed entitled to be left alone, but the next time she speaks in public, it would be nice if she could acknowledge that her no-big-deal official outing of herself was made possible only thanks to that hard work.

Tuesday, January 8, 2013

John Krasinski joins the shortlist for Guardians Of The Galaxy

The rumour mill surrounding Marvel’s Guardians Of The Galaxy has just cranked up a gear, with two new names being linked to the leading role of Peter Quill, otherwise known as Star-Lord.

Just yesterday we reported that Joseph Gordon-Levitt was high on Marvel’s hit-list for the role, and now John Krasinski’s name has also been thrown into the ring.Krasinski was prominent in Marvel’s thinking for Captain America not so long ago, and it seems that studio heads are still convinced he can do a job in a superhero film.The other name on people’s lips is that of Smallville star Michael Rosenbaum, who is also being considered for Quill. He and Krasinski join a shortlist that already contains Zachary Levy and Jim Sturgess, as well as JGL.Of that little collection, we’d say Sturgess or Krasinski would seem the best fit, although if JGL were to make the jump from DC, he’d probably be our first choice.Directed by James Gunn, Guardians Of The Galaxy will open in the UK on 1 August 2014.